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He looked at the beaming faces, at the beautiful table with Jean’s great pagoda cake in the centre, the dates, 1893-1906, in evergreen; at the flowers everywhere; at the dishes,—they usually ate from vine leaves at their out-of-door feasts,—at the paper napkins folded fantastically and hovering over the table like gay butterflies. His eloquent face told his surprise, his gratitude, his delight. He opened his mouth to speak some fitting word, but it wouldn’t come. He tried again, for he felt the occasion called for something formally appreciative. But only a whimsical idea flitted into his mind; and he sang back— “Please, Mith Wopp, the latht windthorm upthet our hen-houth.” “Why, Billy? I don’t believe in whipping unless all else fails.”.
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Conrad
What matter if the telegraph poles that were to be just twelve feet—that is, twelve inches—fell short or long sometimes. “I carn’t think what’s happened to my carrots this year,” said Mrs. Wopp, vexedly, after a time. “Hardly any hev come up, an’ them as did come, aint growed much. We’ll shorely not hev many carrot puddin’s nor pies this winter, nor mulligans neither.” The concluding part of this speech was of vital interest to Moses, who delighted in all the delicacies mentioned. Mrs. Wopp obligingly gave as an encore, “There were ninety and nine,” apropos of nothing whatever. Then turning to a portrait on the wall, she enlarged on the musical ability of a great-uncle from whom she reckoned she had received her gift of song. “Better quit tarlkin’, Moses, an’ let the picter show go on so’s we kin hev supper, everythin’s laid an’ ready.”.
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